Behind Every Lie
by Christina McDonald
Length: 336 Pages
Release date: February 4, 2020
Publisher: Gallery Books
If you can’t remember it, how do you prove you didn’t do it?
Eva Hansen wakes in the hospital after being struck by lightning and discovers her mother, Kat, has been murdered. Eva was found unconscious down the street. She can’t remember what happened but the police are highly suspicious of her.
Determined to clear her name, Eva heads from Seattle to London—Kat’s former home—for answers. But as she unravels her mother’s carefully held secrets, Eva soon realizes that someone doesn’t want her to know the truth. And with violent memories beginning to emerge, Eva doesn’t know who to trust. Least of all herself.
Told in alternating perspectives from Eva’s search for answers and Kat’s mysterious past, Christina McDonald has crafted another “complex, emotionally intense” (Publishers Weekly) domestic thriller. Behind Every Lie explores the complicated nature of mother-daughter relationships, family trauma, and the danger behind long-held secrets.
My thanks to Gallery Books and NetGalley for sending me an advance copy of this book in exchange for an honest review. All opinions are my own and are not influenced by the publisher.
This is yet another review that I must preface by saying I’m in the minority opinion when it comes to this book. At the time of this writing, it has a perfectly respectable 4.16 average on Goodreads, so maybe I was just the wrong reader for this book. I read McDonald’s last novel, The Night Olivia Fell, and had a pretty mediocre experience with that book. I thought I’d give her writing a second chance, because a big part of my problem with The Night Olivia Fell was that it bore a pretty stunning similarity to another book I’d already read, leaving the whole book feeling like watching a rerun of a crime drama. After reading Behind Every Lie, however, I think it’s clear that this author’s work just isn’t for me. Soooo, take this review with a grain of salt, I guess.
For starters, the novel felt like a bit of a jumble of over-used tropes. I’ll omit discussing some of them here to avoid getting into spoiler territory, but I can talk freely about the amnesia as that’s discussed in the synopsis. We have a protagonist in a thriller suspected of murder who can’t defend herself because she has no memory of the night in question. Familiar tropes like this can be fun and offer a great way to subvert the reader’s expectations by doing something new and fresh with it. McDonald really didn’t do that (unless you count the novelty of amnesia brought on by a lightning strike, I guess. Bonus points for that?)
This is also yet another thriller with a middle class, white, female protagonist whose boyfriend/husband is clearly terrible, hyper-controlling, and suspect from the very beginning of the story. Whether the significant other is actually guilty of anything (and in 90% of these thrillers, he is) this dynamic has just gotten terribly boring. I feel like I’ve read about the same couple over and over and over, existing in slightly diverging parallel universes.
Finally, there is a sub-plot which emerges in the flashback scenes (told from her mother’s point of view) which is too predictable to every hold any tension. I really wanted to like this book. If you’ve read this author’s other work and enjoyed it, don’t let me dissuade you, but I think it’s safe to say this will be my last Christina McDonald novel.
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Do you have any tropes specific to mystery/thriller books that are major pet peeves for you? Tell me about them in the comments!
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