Review – Unsheltered, by Barbara Kingsolver

by Barbara Kingsolver

Genre: Literary Fiction

Length: 464 Pages

Release date: October 16, 2018


The New York Times bestselling author of Flight Behavior, The Lacuna, and The Poisonwood Bible and recipient of numerous literary awards—including the National Humanities Medal, the Dayton Literary Peace Prize, and the Orange Prize—returns with a timely novel that interweaves past and present to explore the human capacity for resiliency and compassion in times of great upheaval.

Willa Knox has always prided herself on being the embodiment of responsibility for her family. Which is why it’s so unnerving that she’s arrived at middle age with nothing to show for her hard work and dedication but a stack of unpaid bills and an inherited brick home in Vineland, New Jersey, that is literally falling apart. The magazine where she worked has folded, and the college where her husband had tenure has closed. The dilapidated house is also home to her ailing and cantankerous Greek father-in-law and her two grown children: her stubborn, free-spirited daughter, Tig, and her dutiful debt-ridden, ivy educated son, Zeke, who has arrived with his unplanned baby in the wake of a life-shattering development.

In an act of desperation, Willa begins to investigate the history of her home, hoping that the local historical preservation society might take an interest and provide funding for its direly needed repairs. Through her research into Vineland’s past and its creation as a Utopian community, she discovers a kindred spirit from the 1880s, Thatcher Greenwood.

A science teacher with a lifelong passion for honest investigation, Thatcher finds himself under siege in his community for telling the truth: his employer forbids him to speak of the exciting new theory recently published by Charles Darwin. Thatcher’s friendships with a brilliant woman scientist and a renegade newspaper editor draw him into a vendetta with the town’s most powerful men. At home, his new wife and status-conscious mother-in-law bristle at the risk of scandal, and dismiss his financial worries and the news that their elegant house is structurally unsound.

Brilliantly executed and compulsively readable, Unsheltered is the story of two families, in two centuries, who live at the corner of Sixth and Plum, as they navigate the challenges of surviving a world in the throes of major cultural shifts. In this mesmerizing story told in alternating chapters, Willa and Thatcher come to realize that though the future is uncertain, even unnerving, shelter can be found in the bonds of kindred—whether family or friends—and in the strength of the human spirit.



Unsheltered is definitely one of those “you’ll love it or you’ll hate it” kind of books; it’s polarizing to the extreme. As of this writing, the two top rated Goodreads reviews of this book are a five star review… and a one star review.

Personally, I found myself enjoying it, but I do understand why it doesn’t work for a lot of people. The pacing is somewhat slow, making it feel overly long at times. It’s very wrapped up in political musings and borders on being preachy, to say the least. If you go to fiction for escapism, this book will be torture for you.

That being said, I found myself drawn into both timelines of the story. It took me longer to get invested in the historical timeline than the modern timeline, but it eventually became my favorite. This was in large part because this novel introduced me to Mary Treat, actual historical figure, correspondent of Charles Darwin, and scientist in her own right. Kingsolver’s portrayal of her is eccentric but intensely likable. Mary was a huge highlight of the novel for me, and I’m dying to read more about her life and work now that I’m done.

Kingsolver’s treatment of social issues may come across somewhat heavy-handed, particularly because it relies heavily on dialog and outright debates between character. (Not simply arguments, by the way; at one point in the earlier timeline, there is an actual formal debate on the subject of creationism vs. evolution.) If you enjoy debates as much as I do, this won’t be a detriment at all, but judging by some of the negative reviews, I may be a minority opinion in that regard.

Unsheltered is structurally interesting, with the closing of each chapter leading into the themes of the following one as Kingsolver swaps timelines. Despite the difference between the two stories in the specifics, there were a lot of thematic similarities which I thought were handled really well. Both sets of characters are living in times of social upheaval in very different ways. In the modern timeline, Willa’s family struggles with issues that will feel familiar to most readers: cost of medical care, political polarization, and the seemingly vanishing middle class. Thatcher Greenwood struggles to be taken seriously in a small and somewhat backwards town as an early supporter of Darwin’s theory of evolution. In both timelines, the decaying house looms large as a source of anxiety.

Unsheltered may not be for every reader. It’s somewhat long and meandering, and seems to be trying to do a lot by thoroughly exploring both the person and political in not one but two separate timelines. However, I found myself intensely invested in many of the characters as well as the broader social issues Kingsolver has woven into the narrative. Fans of Kingsolver’s past work should definitely give this book a chance.

Purchase links

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Thank you for reading! Have you read any historical fiction where real historical figures played a major role lately? Share in the comments!


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Review – Where the Line Bleeds, by Jesmyn Ward

Where the Line Bleeds 
by Jesmyn Ward

Genre: Literary Fiction

Length: 256 Pages

Publication date: January 16, 2018 (Originally released in 2008)

Publisher: Scribner


Set in a rural town on the Mississippi Gulf Coast, Where the Line Bleeds tells the story of fraternal twins Joshua and Christophe, who are graduating high school as the novel begins. The two boys both anticipate and dread their lives as adults. Joshua finds a job working as a dock laborer on the Gulf of Mexico, but Christophe has less luck: Unable to find a job, and desperate to alleviate his family’s poverty, he starts to sell drugs. Joshua does not approve, but his clumsy concern fractures the twins’ relationship. When their long-missing addict father reappears, he provokes a shocking confrontation between himself and the brothers—one that will ultimately damn or save them.

Where the Line Bleeds is unforgettable for the intense clarity of how the main relationships are rendered: the love but growing tension between the twins; their devotion to the slowly failing grandmother to raised them, and the sense of obligation they feel toward her; and most of all, the alternating pain, bewilderment, anger, and yearning they feel for the parents who abandoned them—their mother for a new life in the big city of Atlanta, and their father for drugs, prison, and even harsher debasements.

Jesmyn Ward herself grew up in a small Mississippi town near New Orleans, and this book makes palpable her deep knowledge and love of this world: black, Creole, poor, drug-riddled, yet shored by strong family ties and a sense of community that balances hope and fatalism, grief and triumph. Hers is an important new voice in American fiction, distinguished by its simple, patient, and utterly focused attentiveness to the physical details of her characters and their lives.



This was my second book by Jesmyn Ward. I picked it up after really enjoying Sing, Unburied, Sing when I read it with my book club. I had fallen in love with Ward’s style when I read that book. Where the Line Bleeds fell a little bit flat in comparison.

Set in the rural south, Where the Line Bleeds has a similar feel to Sing, Unburied, Sing. The story follows twin brothers living in Bois Sauvage, Mississippi. Christophe and Joshua are struggling to find their footing after high school graduation. While Joshua finds work relatively quickly, Christophe does not, and starts selling drugs to bring in money for the family.

While I found Sing, Unburied, Sing to be quite lyrical and beautiful, Where the Line Bleeds often just felt excessively descriptive. There are lots of long, drawn-out descriptions of actions that could have been much more succinct, and the level of detail included does nothing significant for the story. I think Ward was struggling to develop the evocative, poetic language that comes in her later novel. The end result here is that the pace feels overly slow.

The strength in this novel is in its exploration of familial relationships. The boys, like most twins, have been extremely close to one another for their entire lives. This makes the conflict brought on by Christophe’s decision to sell drugs all the more painful for both of them. As the boys start to pull away from each other, they are each experiencing a sense of isolation unlike anything they’ve encountered before. The boys were raised by their grandmother; they have had a strained relationship with their mother and no relationship to speak of with their father. These varying parental relationships all come into play throughout Where the Line Bleeds. 

The plot, unfortunately, feels rather thin. I spent a good deal of the book waiting for something climactic to happen, and while there is a definite climax, it feels like there is disproportionate buildup before we get to it. This is primarily a story about relationships and coming of age; there are no twists and turns to keep you hooked into the story.

Where the Line Bleeds isn’t a bad book. There was plenty to like about it despite the slow pace. Overall, however, it really called to attention just how far Ward has come as an author between this book and Sing, Unburied, Sing. If you haven’t read any of Ward’s work, I wouldn’t start here.

Purchase links

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Thank you for reading! Have you read Where the Line Bleeds? Please share your thoughts in the comments!


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